The fence is falling down

The fence is falling down.

The panels groan,

Well above the evening news.

It’s flexing with the tide,

Of the brand new coastline,

That now cuts through the street.

I wrote a thread on Twitter,

To try and prop it up,

And stuck my insecurities around the posts.

I voted for the Fence Fixers,

But they kicked the neighbours out,

And the fences still fall down.

From the Corporate Anthology

A shout out to the dreamers,

—Baked beaners.

Street sweepers, full-beamers.

Butchers, bakers and candlestick cleaners.

From the corporate marketing Zoom callers,

To a vaguely defined group of consumers.

We’ll take your cash but ease the pain,

With dramatic cadence and cliché.

Speed it up—

…slow it down.

Make it all feel more profound.

And ground your words in humble roots,

With clear-skied shots of Northern towns.

Appeals to phoney wartime spirit,

Mixed with local dialect—

“Make us a cuppa and a proper brew”—

And general fear of the internet.

Covid, back to work,

A bit about too many phones,

Every day heroes, sepia tone shots of

Yer da skipping stones.

Syntax, swapped to force a rhyme.

Break of scheme to hammer home poignant messaging.

So get out, switch it up, change the world!

With your friendly, local [insert here].

Give us your fucking money.

Or we’ll endear you even more.

A friend of this family

Find me at the edge of the yard.

Just some body, nearby to that

Neat, still burning constellation.

Curling leaves shuffle in the wind,

Circling the well-kept stones before

Trending towards the crude border.

Beneath the proud, silent branches

They found a plot for aching bones,

Wrapped up in their ancestral mud.

Now, as then, the ground they walk on.

“A friend of this family”:

Words that injure this offbeat plot.

Calloused hands that worked in service

To those callous and pedantic hearts,

Kept close to bare the weight of myths.

So speak aloud the fading name,

Worked into the moss-wearing stone

When it still stung the hearts of men.

Listen to the ringing church bell,

Whose sound barely touches humble ground

Here, at the edge of the yard.

The Magpies

He wanders in an empty field;

Firm ground

Stood at the edges of modernity.

The air itself breathes deeply,

Then exhales,

As though returning home.

The magpies hop across the ground,

Silently dignified,

He salutes this stately parliament.

This is the religion he has picked.

Passed on

By the corrupting mouth of man.

That trivial rhyme, a song of insecurity,

Pulls on the tether

Back to the past we care to imagine.

So there, in an ancient silence,

He prays

To tame his galloping mind.

Watch him at the altar,

Firmly grounded,

Outside of modernity.

Laughing

You laughed, when you tripped

And fell. Then I did too;

Fostered by concern.

Some crudely drawn anatomy

On the cast; a silent apology.

The comedy of affection.

You laugh to broach

The intimacy. A fragile body

Submits to a sympathetic

hand. That mends with

Irreverence and Sudocrem;

Sheepishly applied

I laughed, as I brought up

The tray of food that day.

You, wrapped up in blankets.

Me, in a pinefore.

“Your breakfast is served!”

A giggle infected by a groan.

I laugh

Less, when the pain lingers.

“Don’t be so hysterical,”

You grin. To regulate my

Anxiety. No better treatment

Than levity in heavy conversation.

You laugh, when I say

“What will I do?”

“Rather me than you.”

Drifting down the hall you say,

“No worse than a fall!”.

Outshining the halogen bulbs.

You laugh but it didn’t take,

At first. The ward is silent

This time of night. And against

The fading evening light

We beam at each other.

And laugh.

Cupid’s Arrow

It was not Cupid’s Arrow

That struck him down.

It was Cupid’s IV drip.

A prick to deliver the sustenance

he needed to go on.

The slow trickle of feeling.

A steady dosage of affection,

Sensibly prescribed,

That writhes atop his skin

Like morphine.

It wasn’t Cupid’s arrow

With all it’s vulgar sharpness.

It was Cupid’s Anadin.

Take two in the morning

And blunt those human pains.

It wasn’t Cupid’s arrow

Tearing a golden wound.

It was Cupid’s suture,

Knitting back together

The gaping relics of

A life, till then, misspent.

Ode to the 319

Don’t you miss the 319?

The brutish sound of steel on steel.

A soulful choir’s roars and squeals,

That promised dreams beyond this line.

The narrow paths between the seats,

Coughing dust and worn threadbare.

The long nineties and Tony Blair,

Haunt the patterns of the fleet.

Doors beeped the same emphatic beep,

To much more brash, emphatic boys,

Who talked above the warning noise

That now just wards away their sleep.

We laughed across the table tops;

Youth carried through old England’s green.

It promised things we’d never seen

And led dreams towards their final stop.

I wait beside the busy tracks.

A ghost of that receding time,

Kept here by the yellow line

That never lets you back.

New Year

06/01/12

Let’s welcome in the new year.

They swing the door open wide.

I’m yanking at the handle.

Close that fucking door.

I’d prefer to stay here.

At the edge of the universe.

In the twilight hour.

Where memories dance in the cool air.

Don’t let the fireworks stop.

Aim them at the sleeping sun.

I like to look back.

At all those things we’ve done.

The new year is a new mountain.

It’s a grisly truth.

It’s the bully in the film

Who the hero backs into.

He’s behind me, isn’t he?

But if I never turn around,

I never get the knuckle sandwich.

We kissed under the mistletoe.

Then at midnight.

Then we are abstinent,

For eleven months.

Kiss me twice at midnight,

And say that I can stay.

Not at your place.

But in this moment.

I found love on Naked Attraction

I found love on Naked Attraction

Between the arse crack of a stranger. See,

The faintest glint of destiny

Unhindered by our clothes.

The pattern wrapped ‘round her upper thigh

She has dedicated to Mum’s mortality.

The heart-shaped human tragedy

Inked on tender skin.

The patterns etched ‘round her hardened wrist

She has no choice but to keep them now

And take each glance and furrowed brow

In rediscovered stride.

They say that she’s wearing nothing, but

She scratches at the fabric

Of the overcoat that’s woven

From insecurities.

My civilised brain tells me that I

Should protect this injured modesty.

But I’m taken by the honesty

In everything I see.